Joe: Tell us a bit (or a lot) more about your childhood. Primary school, high school, etc. How do you think your experiences benefited or influenced your career? TG: I am an only child who was raised by a struggling single mother. She worked long hours, so I spent a great deal of time alone. I read a lot of comic books. They were my gateway drug into the world of reading. I bought as many comics as my paltry allowance would yield, and thus began my lifetime love affair with stories. In addition, my mom was an avid reader and film-lover. We watched movies often, from Gone with the Wind to Sunset Boulevard to Casablanca. But she also loved horror, sci-fi, spaghetti westerns—you name it, we watched it. Some of my most cherished memories of my childhood were going to the matinee with my mom. It was these experiences, along with reading comics during my many hours alone that inspired my love of stories. Of course, I’d be remiss if I didn’t mention how much of an impact TV shows/TV movies had on me as well. Shows like The Twilight Zone, The Night Gallery, The Wild Wild West, The Night Stalker, and Star Trek made a huge impression on me. And I adored those wonderful 70s TV horror films like Gargoyles, Don’t be Afraid of the Dark, Duel, and Trilogy of Terror. During my formative years, I kept seeing the name Richard Matheson come up on many of the films and TV shows I loved, and that prompted me to seek out his prose fiction. I believe the first adult novel I ever read—when I was twelve years old--was Matheson’s I Am Legend. Soon after that, I read Logan’s Run by William F. Nolan and George Clayton Johnson (whose name I also recognised from The Twilight Zone). After that, I was hooked for life. From that point forward, I simply couldn’t go back to reading Young Adult fiction. Joe: Can you recall a moment where you had to choose between being an author/artist and another career? A decisive moment where you decided to go all out? TG: I served in the military, where I received some journalism training, and had gone to a year-long trade school in radio/TV broadcasting. I moved to Los Angeles with the intention of working in radio and hoped to get some acting work as well. This was before the Internet and getting information on the ins and outs of Hollywood was damned near impossible from my small town in Arizona. When I arrived in LA, I had no clue, no connections, and a vague notion of being a disc jockey or an actor. But after a brief time in the radio industry, I didn’t find it as creative as I’d hoped. And I also had some disheartening experiences as an actor that turned me off to that aspect of the industry. As often happens in Hollywood, I sort of “fell into” an opportunity to write some animation for television—and fortunately, all of that comic book reading combined with some writing skills I’d developed in the military gave me the confidence to get the gig. The story editors of the TV shows Beetlejuice and Little Rosey were happy with my work, and thus began my professional writing career. Once I had a few professional TV credits, I decided to bail on acting and focus on writing. Interestingly enough, it has now come full circle. Over two decades later, I have recently gotten into professional voiceover work, and it has become a part of my career. Joe: How did you respond to your very first success as an author? Was it just rewarding, or did it motivate you even more? Or, did it perhaps feel underwhelming, which motivated you to even greater heights? TG: I literally wept at my desk when I opened my first story acceptance. It was for a horror story entitled The Vood. Interestingly enough, at the time of my first acceptance, I had already spent almost twenty years working as a full-time writer (mostly screenwriting and copywriting), so I was already a seasoned pro. But this was different. It meant the world to me. Because it was my true voice. What’s perhaps unique to my story is that I didn’t intend to be a published author. Several of my stories sat gathering dust in my drawer for years. I wrote them for me. I wanted to find my true voice. To write what I wanted to write—without compromise. For the joy of it. It makes sense that those initial stories were dark fiction (horror, dark fantasy, sci-fi, suspense), because I grew up loving that kind of storytelling. When I began to have success selling my short stories, it was life-changing. It was the first time I had created marketable fiction, while also satisfying my muse. Later, after two Bram Stoker Award nominations (one for my long fiction story The Infected, and the other for my collection The Dark at the End of the Tunnel), readers began to ask me the inevitable question: where’s your first novel? I never planned to become a novelist. But now that I’m working on my first one—it all seems like it was meant to be. Joe: How has your career as an author affected relationships with friends and family? TG: I have been a full-time writer for quite a few years. I write advertising (TV, radio, web). But I also write in other mediums and genres (film, short fiction, comics, etc.), and there is definitely sacrifice involved. I don’t have much of a social life. I write fiction whenever I can find the time—and fortunately, my family is pretty understanding and supportive of that. However, while I love my son more than I can possibly express, the little guy has never been very good at “quiet time so daddy can write”. So, that’s another challenge. It’s very difficult for me to write at home. So, I have to go to coffee shops a lot—which isn’t ideal, but necessary. On the other hand, I believe kids learn by example, not by what you tell them. And my hope is that my son sees how dedicated his dad is to improving his craft and working toward a goal. That he understands that I don’t let life’s many responsibilities stop me from manifesting my dreams. I hope this will instil the same kind of focus, commitment and dedication in him over time. I’ve had a fair number of people say I inspire them (due to maintaining a day job, a family, and juggling a successful freelance writing career). And that, more than anything, means the most to me. Joe: Which author most influenced your early career? And who still does? TG: There is no question that Rod Serling had the single greatest impact—and his legacy continues to this day. I adore The Twilight Zone. I even turned my son onto the show. I admire that Serling explored the darkest aspects of humanity with a grand imagination and an earnest social conscience. Serling cared deeply about the plight of his fellow man. In my own small way, I have tried to keep some of that alive in my own fiction. The Twilight Zone also introduced me to Richard Matheson. Serling and Matheson are pretty neck-in-neck as influences go, but I’d have to give the edge to Serling. Joe: Instead of just focusing on your most successful work, which story are you the proudest of, a story that managed to capture a piece of who you are? TG: The Infected. It’s the most personal story I’ve written. The theme relates to the gradual (and subtle) act of giving up on one’s dreams—and the consequences of it. I also explored this theme in my story The Silent Ones. People living in quiet desperation are all around us, and it pains me greatly to see it. I find it heroic when people rise above their 9-to-5 routines and continue to follow their dreams and aspirations. Not that there is anything wrong with a 9-to-5 job. Providing for ourselves and our families is to be greatly respected. And I mean that, sincerely. But when we use our jobs as an excuse for not doing things we love—that’s when the downward spiral begins. That’s when people die with the music still in them. It’s heartbreaking. I was incredibly pleased that The Infected was published by the great Cemetery Dance Magazine, and eventually nominated for a Bram Stoker Award. Joe: How do you feel when you don’t make your target words for the day? TG: I once tried writing to a word quota—but that doesn’t work for me. I now believe that writing takes the time it takes. Not a moment sooner or a moment later. We live in goal-oriented culture that robs us of enjoying the process. Not just in writing—but in everything we do. Goals are good. But they are only the rudder. Being present. Enjoying the process. That’s what’s important. If that’s 50 words or 2,000 words isn’t the point. The point is to be present. Enjoy the process. Because we never “arrive”. If you simply focus on the goal, you miss the beauty of the journey. Obviously if I’m on a tight deadline (due to a contract) that’s a bit different, but I still try to focus on the work, not the word count. But when I’m creating something on my own, then I don’t force a number of words. If I have written 10 sentences and I was fully engaged when I did it, I have accomplished my task for the day. Joe: What’s the most difficult topic for you to write? TG: Sex. All of the euphemisms just seem silly to me. Joe: What do you do to distract you enough to actually relax a bit? Or do you always think about writing? TG: I do have to work at staying present. Don’t we all? My goal (and a challenging one) is to be fully engaged in whatever I’m doing, not just writing. When you’re present, you’re not listening to those thousands of random thoughts. I believe it makes for a better quality of life. However, when I’m driving, walking for any length of time, or in the shower, I allow my mind to run wild with story ideas. Most of the best stuff has popped in my head during those three activities. Joe: Tell us a bit about the people you met while researching a book. Are you still friends with some of them? TG: I sold a military thriller (screenplay) called Bloodland. While I was researching military signals intelligence, I met a guy on a military forum named Dave Reese. He helped me immeasurably with my research. Fifteen years later, we’re still in touch. Just a great guy. Joe: Outside of the actual craft, what is the most useful skill you learnt from being an author? TG: Perseverance in the face of adversity. Sticking with something despite the odds, despite the rejection, despite painful feedback—this is the greatest gift I’ve received as a professional writer. Joe: How did being an author change you as a person? TG: It has made me more patient. As the axiom goes, a writing career is a marathon, not a sprint. Joe: Which response/comment from a reader has touched you the most throughout your career? TG: After reading The Infected, a woman I know was so moved by my story that she packed up and moved to Hawaii to pursue her dreams. Joe: What is your life-long goal as an author? TG: To be authentic. To enjoy the work. To enjoy the process. To keep improving. Joe: What legacy do you want to leave behind? TG: To inspire others to action.
From the Bram Stoker Award-winning poet that brought you Eden Underground…
The Lady in Black shows no mercy to anyone; she has cold skin, a job to do, and many lovers on Earth: Despair, Loneliness, Madness, and their soldiers and killers of daily life, armed with blades, hammers, teeth, and illusions. There are strange and bloody stories that tell all about it, if you want to hear them…
Are you sure? Well, you’ve found the right place, but consider that in turning these pages you’ll be thrown forward through time, until you reach the Apocalypse—the last stop.
So, like the Lady in Black, show yourself no mercy—sit down and read these stories, listening to Janis Joplin with a bottle of Southern Comfort cradled in your arm.
Don’t worry, you’ll find both of them inside this book, along with so many other dark pleasures.
“No Mercy is a journey through time and history on a real/surreal road, rocking and rolling with no pity. Manzetti’s poems inspire a transcendent reality, a dream reality that slips in and out of nightmares; earthscape ruled by sensory overload, soul underload and imagination that melts into hunger for love, life and music. I loved this unearthly and yet strangely familiar meal laid before my eyes.”—Linda D. Addison, award-winning author of “How to Recognize a Demon Has Become Your Friend”
“Marvelous, powerful work! Manzetti fills his canvases with broken souls –such as Janis Joplin, Frida Kahlo whose lives left footprints in our history. He introduces you to others with Inspiring imagery, giving the reader much to ponder. Simply outstanding, five stars!”—Marge Simon, Bram Stoker Award winner
Brought to you by Crystal Lake Publishing – Tales from the Darkest Depths
Introduction by David Drake
Interview with producer Andrew Bonime
Philip C Perron
Michael H. Hanson
Christopher Fulbright and Angeline Hawkes
Ryan C. Thomas
Jonathan Maberry and Eugene Johnson
An interview with screenwriter Parnell Hall
Coming November, 2017.
What makes the Twice Upon an Apocalypse anthology so special?
Bracken MacLeod: I think what makes this anthology special is the care the writers have taken in blending familiar childhood tales with cosmic horror and the weird tale. Naturally, all fairy tales are well within the realm of the weird. A witch living in a house made of candy in a dense and secluded forest so she can lure lost children to her oven is clearly irrealism (realism in literature being a relatively recent development in the history of story-telling). But, I think what really makes it special is blending the absurdity of the fairy tale with the near-realism of the cosmic horror tale. I love the idea of the alien Cthulhu “mythos” being fused with the very terrestrial mythology of the traditional childhood weird.
Tell us more about your contribution.
MacLeod: My story, “The Most Incredible Thing,” is an adaptation of a lesser-known Hans Christian Anderson story about a King holding a competition to find an appropriate suitor for his daughter to marry. Naturally, the contest goes to a very dark place in Anderson’s story. It was actually very easy to update into a modern realist setting. Reality television shows and the aspirations of competitors for not only the financial awards of winning them, but also the social rewards of merely participating in the public eye, are a pervasive part of our cultural landscape. Anderson’s story was a perfect vehicle to be critical of the modern aspiration toward celebrity for its own sake. On the other side of it, my inspirations in cosmic horror owe more to Robert Bloch and Robert Chambers’ work than Lovecraft’s, so, my story is also a Yellow King tale.
Why should readers give this horror anthology a try?
MacLeod: As I mentioned above, I think this anthology offers a novel perspective in taking stories that are pretty firmly rooted in our collective (un)conscious and upending them by adding elements of greater cosmic horror that refresh them for a modern audience. This is especially important, considering the impact that pop culture’s bowdlerization of these stories has had on our recollections of them (how many people know exactly how dark The Little Mermaid really was?). I think it’s important to try to rediscover the darkness that used to live in them.
These aren’t your mother’s fairy tales.
Throughout history parents have told their children stories to help them sleep, to keep them entertained. But we’re pretty sure none of those parents had this in mind. These are the fairy tales that will give you and your children nightmares. From the darkest depths of Grimm and Anderson come the immortal mash-ups with the creations of HP Lovecraft.
These stories will scare and delight ‘children’ of all ages!
- Introduction by Gary A Braunbeck
- “The Pied Piper of Providence” by William Meikle
- “The Three Billy Goats Sothoth” by Peter N Dudar
- “Little Maiden of the Sea” by David Bernard
- “The Great Old One and the Beanstalk” by Armand Rosamilia
- “In the Shade of the Juniper Tree” by JP Hutsell
- “The Horror at Hatchet Point” by Zach Shephard
- “The Most Incredible Thing” by Bracken MacLeod
- “Let Me Come In!” by Simon Yee
- “The Fishman and His Wife” by Inanna Arthen
- “Little Match Mi-Go” by Michael Kamp
- “Follow the Yellow Glyph Road” by Scott T Goudsward
- “Gumdrop Apocalypse” by Pete Rawlik
- “Curiosity” by Winifred Burniston
- “The Ice Queen” by Mae Empson
- “Once Upon a Dream” by Matthew Baugh
- “Cinderella and Her Outer Godfather” by CT Phipps
- “Donkeyskin” by KH Vaughan
- “Sweet Dreams in the Witch-House” by Sean Logan
- “Fee Fi Old One” by Thom Brannan
- “The King on the Golden Mountain” by Morgan Sylvia
- “The Legend of Creepy Hollow” by Don D’Ammassa
Brought to you by Crystal Lake Publishing—Tales from the Darkest Depths
Joe Mynhardt: Tell us a bit (or a lot) more about your childhood. Primary school, High school, etc. How do you think your experiences benefited or influenced your career?
Armand Rosamilia: I grew up in a small fishing village in New Jersey named Belford. It really shaped my life in a positive way because it was a small, tight-knit community. You knew all of your neighbors and I had over a dozen kids to play with on our dead-end street. It was a loving, positively influencing experience. I felt like I could do anything I set my mind to. As kids we played in the nearby woods, kickball in the street, hide and seek at night… We used our imaginations. I would spend nights reading instead of watching TV. Making up stories and playing Dungeons & Dragons with friends and my brother. It was an ideal situation for being creative.
Joe: Can you recall a moment where you had to choose between being an author/artist and another career? A decisive moment where you decided to go all out?
Armand: Six years ago I lost my job as a retail manager. While I was looking half-heartedly for another mindless retail job I decided to quietly polish up some of my stories and see if I could get published on a consistent basis instead of when time permitted. I’d been in retail for 25 years and hated every minute of it, to be honest. It was scary to not have a steady paycheck for the first time in forever, but I got lucky and began selling my work right away on a steady basis and never looked back. Hopefully I’ll never have to look back, either.
Joe: How did you respond to your very first success as an author? Was it just rewarding, or did it motivate you even more? Or, did it perhaps feel underwhelmed, which motivated you to even greater heights?
Armand: My first actual story I had published was a short, Beastie, which was published around 1988 in a side-stapled Xeroxed zine. I received a contributor copy for it. I was ecstatic. I felt like all the years of writing had finally paid off. Little did I know the rollercoaster that writing would be for me nearly thirty years later.
Joe: How has your career as an author affected relationships with friends and family?
Armand: I’ve been divorced twice. Was in a long-term relationship with a woman who didn’t understand or want to understand my passion for writing. They all thought I should shut up and go to work and make money busting my ass for 50-60 hours a week in retail. When I went full-time as an author that last relationship failed because she didn’t believe in me. It was a huge motivation to prove her and my ex-wives wrong. I still use that when I’m feeling down on myself. My wife now is the greatest. She helps with the career part of this. Motivates me to write and promote more. Really understands this is my dream and I’m living it. She couldn’t be more supportive or happier how well I’m doing, either.
Joe: Which author most influenced your early career? And who still does?
Armand: Dean Koontz. At 12 I read every one of his paperbacks. My mother is a huge horror reader. When I was a kid she’d read a book and if it didn’t have lots of sex in it I could read it. Nowadays I get motivation from newer authors who are hungry for that first sale or that first big contract. I love talking shop with them, which is why I started Arm Cast Podcast. I could chat with another author all day if they’d let me because it gets my creative juices flowing, too.
Joe: Instead of just focussing on your most successful work, which story are you the proudest of, a story that managed to capture a piece of who you are?
Armand: The novel The Enemy Held Near, which I co-wrote with Jay Wilburn. That book was a tough one for me because Jay is such a great writer, and having to keep pace with what he was doing and where he was coming from was tough at first. He really upped my game and I still think it’s the best writing I’ve ever done. We recently co-wrote a second book together and we’ll be shopping it to publishers soon. It might even be better than the first one because I really had to bring my A game to the table.
Joe: How do you feel when you don’t make your target words for the day?
Armand: Not as horrible as I used to. I’ve really started to understand my focus needs to be not only on the writing but on the promotion. I own a podcast network now, too, so there is a lot of work that goes into that on a daily basis. My wife made spreadsheets and bought me dry erase boards so I can track my progress. Not only for the actual writing but deadlines and promoting and all the rest. The writing is about 20% of the work in my opinion.
Joe: What’s the most difficult topic for you to write?
Armand: This will sound odd but writing about animals. I’m not a pet owner and I’m not really a fan of pets. My wife is allergic to dogs and cats, which is fine with me. So at times I forget about giving a character a pet because it’s foreign to me. I also feel like I don’t know enough about animals to include them in a story without feeling like a liar. See? Odd.
Joe: What do you do to distract you enough to actually relax a bit? Or do you always think about writing?
Armand: I love baseball. I’m a huge Boston Red Sox fan. I grew up in a big baseball family, too. My wife and I have season tickets to the local minor league team, Jacksonville Jumbo Shrimp, and I go to every game as long as I’m in town. I love the strategy and everything about the game. I can sit and watch and get so involved I turn off my brain about writing and work for a few hours.
Joe: Tell us a bit about the people you met while researching a book. Are you still friends with some of them?
Armand: Definitely. When I wrote Dying Days 2, in my zombie series, a woman named Tosha Shorb was a huge fan and I made her a character. I thought she’d die quickly and I could move on. I just finished writing Dying Days 8 and the Tosha character is still around and readers either love or hate her. Hate in a good way because of her actions, I might add. The woman it is based on is now married with children and it’s fun to see after five years or so how her life has changed and how the character has, as well.
Joe: Outside of the actual craft, what is the most useful skill you learnt from being an author?
Armand: Seeing the big picture. I used to get frustrated if I missed my writing goal for the day but now I can look back and see all of the other things I did during my day and know I did as much as I could. It was still a positive because I completed other tasks that will help my career. Of course, the best days mentally for me are when I blow through my daily goal and get in the zone and write and write.
Joe: How did being author change you as a person?
Armand: I look at every situation as a possible story idea. Every conversation I have gets filed away for future use. People I meet might end up being a character in some small way. Places I visit I always think of what book I could use it in. You never turn off being a writer, even when you’re not physically writing.
Joe: Which response / comment from a reader has touched you the most throughout your career?
Armand: I think the first time I got a review from someone on Amazon and I had no idea who the person was. It was someone who had read my book and I had no connection to them. It wasn’t another author, it wasn’t a friend or even a friend of a friend who’d been recommended my book. It was a random person and they enjoyed it enough to take time to leave a review. It still excites me when someone new finds my work.
Joe: What is your life-long goal as an author?
Armand: To keep living the dream. I’ve been full-time for six years and love every minute of it. This isn’t a job to me because I can’t wait to get on my computer (after the coffee is ready) and see what today brings. We’re able to travel and see parts of the country and as my career keeps rising and my wife (who has an awesome career as a commercial property manager) gets to take time off to travel with me, it will only get better.
Joe: What legacy do you want to leave behind?
Armand: I want to be known as an author who helped other authors. I see too many authors with minimal success charging new authors a lot of money for career advice. I do it for free on my podcast and in person. Send me an email and I’ll answer it to the best of my ability. I want to be known as a guy who wants to help, because on my way into this business I had the help of authors who took the time to answer all of my questions.
These aren’t your mother’s fairy tales.
Cover art by Ben Baldwin – out June 23rd.
They come in the middle of the night. They rise from the shadowed corners of a lonely house, from the deep woods, from beneath the midnight waters. Listen, and you will hear them: the whispered echoes of your darkest fears. In this masterful new collection, Paul F. Olson takes you by the hand and guides you down the twilight byways into a world teeming with darkness and dread. There you will uncover eleven long out-of-print tales of uneasy spirits, dark entities, and unspeakable mysteries, along with a stunning new novella of loss, longing, and chilling horror written especially for this book. With a foreword by Chet Williamson and an introduction by the author, Whispered Echoes is an unforgettable journey through the quiet heart of terror.
Artwork by Luke Spooner.
For more information, be sure to check out and like the official Facebook page.
So, Lovecraft is my jam. The reason I started writing in the first place was a combination of Robert B. Parker and H.P. Lovecraft, meaning, that's what I wanted to write, those two things together (still working on that, by the way). So when this anthology came along, with the option to write fairy tales with either zombies or Mythos, of course I chose Mythos. I knew there were a lot of good authors out there, thinking the same things I think. We're all surfing the same brainwave, on some level or other, so I wanted something short but impactful, so as not to cross too many lines with other authors. Jack the Giant Killer, all his stories were short things, so that was the foundation for what I built here. It was great fun, and I hope it's as much fun for you.—Thomas Brannan Check out the dedicated webpage for more info on this anthology. Twitter hashtag: #LovecraftFairyTales We even have an Apocalypse shirt!
Due September 15th. Artwork by Ben Baldwin: