Monthly Archives December 2016

2016 – a year in review

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One thing’s for sure, 2016 was one for the record books. And it’s all thanks to you, our amazing fans.

It was a year that saw our readership triple with the release of Gutted: Beautiful Horror Stories, and a year that took me from teaching primary school (a job I eventually grew to despise) to being a full time publisher working from my desk at home. I’ve always been more of an entrepreneur than a teacher, and it feels great to realize a dream I’ve had for more than 10 years. I won’t stop teaching, so I’ll start presenting some online workshops on publishing, writing, marketing, and online business early in the new year. As long as I don’t have to stand in front of a class while a tie is slowly strangling me.

Here are a few highlights from 2016. We…

I have big plans for 2017, so be sure to keep an eye on our website throughout January. We’ll also send out our 2017 publishing schedule in a few days.

Have a wonderful 2017. See you there.

Joe Mynhardt
Founder and CEO
Crystal Lake Publishing

  Crystal Lake Publishing   Dec 28, 2016   Blog   6 Comments Read More

The Deep End with Aaron Dries

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Joe Mynhardt: Tell us a bit (or a lot) more about your childhood. Primary school, High school, etc. How do you think your experiences benefited or influenced your career?

Aaron Dries: I was a small town kid from small town Australia. One of those guys destined to fly the coop, yet always hungering home. I guess that tug and pull created a kind of discourse in me – a desire for something better versus all the comforts found in our own little worlds – that helped my imagination bloom. Complacency kills creativity. Wanting more, or a lack of stimulation in your environment, or indecision, or not knowing who or what you are… these are the things that build that part of your brain where the zombies and monsters grow.

My school years were good(ish). I was an okay student—terrible at math, excelling in art and drama. There were defining moments throughout: the clarification that my creative efforts weren’t all for nothing, a couple of scarring bullies, and the ebb and flow of friends. All of this, and more, defined who I grew up to be, so of course it has influenced my writing. Like everyone else, I’m a patchwork of my experiences, even though the stitching is haphazard and frayed; and as an author, my fiction works the same way… honest, often autobiographical, a little angry, a little sad. Still frayed, and I guess I’m okay with that.

Joe: Can you recall a moment where you had to choose between being an author/artist and another career? A decisive moment where you decided to go all out?

Aaron: I made the decision to not go one way or the other. I do both – writer by night (or wee early mornings) and then there’s my day job in frontline/outreach disability advocacy/support coordination. Writing is therapeutic for me to some degree. If I fall into the trap of bringing my work home with me, I go that special kind of mad found in my industry—burnt out, empathetically fatigued, jaded. Writing helps me digest work. Work helps me digest writing. I wouldn’t have it any other way. As a result, my creative output is often glacial, but hopefully what I do write is better for it.

Joe: How did you respond to your very first success as an author? Was it just rewarding, or did it motivate you even more? Or, did it perhaps feel underwhelmed, which motivated you to even greater heights?

Aaron: When it comes to my writing, I’m plagued by indecision. I forever feel like what I’ve put out isn’t good enough or should be re-written. So when I first managed to emerge from the slush pile and into the realm of publishing, a success in and of itself, I guess it did motivate me to keep on going. But to be honest, I have trouble re-reading my own stuff. Every opportunity I have to polish, I take—every reprint, every new edition.
It kind of sucks that once the book is out there, it’s set in stone for quite some time, because by the time it takes to write something and then find it on the shelf I’ve changed as a person. I like the idea of my writing being an evolutionary thing, something that can be worked on continuously.
William Peter Blatty, a hero of mine, works this way. Every reprint is re-written; each new book is a beautiful exploration of similar themes and content from prior books. I guess striving to keep my fiction organic is something that keeps me motivated.

Joe: How has your career as an author affected relationships with friends and family?

Aaron: The most profound way being an author affects your relationships with friends and family is online. Your social media accounts suddenly become this double-edged sword in which the benefits and drawbacks of self-promotion both breed and bleed. This is something you have to balance, otherwise you’ll only end up driving the people you love and respect mad. Plus, it’s often a case of you’re preaching to the choir. I’m mindful of that.
On a day to day basis (in reality), writing consumes you more than you’d maybe like – you’re often ‘there’ but not there because you’re thinking about that chapter, that plot twist, about words and sentences and the wonderful jigsaw of creating something from nothing. You’ve got to be careful to find a balance here, too. If you don’t, you’ll only end up frustrating those who are closest to you. And at the end of the day you have to ask yourself what’s more important? Be aware or beware.
 
Joe: Which author most influenced your early career? And who still does?

Aaron: Growing up, I was an R.L. Stine fan. He got me into reading in the first place, which was an initial hurdle. I then made the leap from Stine to King, the first book being Carrie. That book, and the film adaptation, are really important to me. They spoke to me at a time in my life when I needed speaking to, a shaking.
The King route was long and glorious and on-going. Danse Macabre became a bible of sorts, a map for my formative reading years. Through that book I discovered a lot of films that led to novels and visa versa. That’s how I discovered formative writers like Robert Bloch, Daphne DuMaurier, Ira Levin, Shirley Jackson, William Peter Blatty, and others. They are still as important and influential to me today as they were then.

Joe: Instead of just focusing on your most successful work, which story are you the proudest of, a story that managed to capture a piece of who you are?

Aaron: Hmmm. Good question. There’s a lot of me in all of my books. A lot of my frustrations, or past hurts, or things that happened to me, or questions events sparked in my mind which I had to work out creatively. I think there’s a lot of me in A Place For Sinners, my third and most under-read novel. There’s a lot me in that in regards to certain regrets, parts of my sexuality, my experiences as a traveller, my wonderment at other cultures and places, my fear of the unknown, and my love for the surreal. That book is utterly bonkers, but then again, life is bonkers, it isn’t fair, it often doesn’t make sense. I struggle to reconcile with this in reality, too; and A Place for Sinners is a direct reflection of that.

Joe: How do you feel when you don’t make your target words for the day?

Aaron: It used to bother me, but not anymore. I don’t really have targets. Every sentence is a victory.

Joe: What’s the most difficult topic for you to write?

Aaron: I’ve often tackled challenging topics and issues, but the most difficult stuff to tackle is probably around sexuality. Not because I’m afraid of going there, because I’m not. But because I get all icky-in-the-tummy at the thought of my family stumbling across those certain passages. Still, it hasn’t stopped me yet. Be brave, go hard. That’s where the rewards are.

Joe: What do you do to distract you enough to actually relax a bit? Or do you always think about writing?

Aaron: I’m always thinking about the story, and I’m okay with that. Thinking about stories and getting them down on paper essentially is me relaxing from an otherwise highly stressful day job. The trick is switching off the mental gears around bedtime, because as fun as writing these books may be, nobody should be actively concentrating on scary home invasions after the lights are out and your head is on the pillow. Haha!

Joe: Tell us a bit about the people you met while researching a book. Are you still friends with some of them?

Aaron: I’ve got a lot of friends with skill sets to whom I do turn to for certain advice – lawyers, police officers, social workers. So I maintain those relationships, of course, because they’re all my mates and I love ’em to bits. After a lot of digging, I managed to speak to a Catholic exorcist in my local region whilst researching The Fallen Boys to find out more about the idea of individuals desperate to draw the attentive eye of their perceived creator.

Joe: Outside of the actual craft, what is the most useful skill you learnt from being an author?

Aaron: Whilst I’ve always been attentive, I think writing really makes you more empathetically attuned to people. It sharpens your observational skills.

Joe: How did being an author change you as a person?

Aaron: It hasn’t. But being a good person has certainly changed my ability as an author.

Joe: Which response / comment from a reader has touched you the most throughout your career?

Aaron: I was very moved by a letter I received in regards to my first novel, House of Sighs. It was hate mail. The reader called the book out for being pro-gay propaganda. He also said that he felt cheated because I’d hoodwinked him into reading as far into the book as he did before the subtext emerged—and if he’d known about it in advance, he never would’ve started reading it in the first place. This moved me because I found it so motivating. The fire was well and truly lit.

Joe: What is your life-long goal as an author?

Aaron: All I ever want (be it life-long or just within the confines of a sentence) is to move a reader.

Joe: What legacy do you want to leave behind?

Aaron: As a human, I want to be remembered for my kindness and empathy, and that I was a good friend and family member.
As a writer, all I want is to be remembered (in some capacity)! Paper may fade, Kindles may break … but if someone down the track says, “Hey, remember the story about the bus driver who kidnapped her passengers and took them home with her?” then I’ll be one happy ghost.

 
Author: Aaron Dries
Where the Dead Go to Die

Where the Dead Go to Die

eBook: $4,99
There are monsters in this world. And they used to be us. More info →
Buy from Amazon
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Tales from the Lake: Volume 2
Horror 201: The Silver Scream
  Crystal Lake Publishing   Dec 24, 2016   Blog   2 Comments Read More

Xmas eBook Giveaway!

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You are only four clicks away from possibly winning 10 Crystal Lake eBook titles. Including Eidolon Avenue by Jonathan Winn; Blackwater Val by Bill Gorman; Wind Chill by Patrick Rutigliano; Through a Mirror, Darkly by Kevin Lucia; Nameless byMercedes Murdock Yardley; Fear the Reaper (anthology); Gutted: Beautiful Horror Stories (anthology); Run to Ground by Jasper Bark; Tales from The Lake Vol.2 (anthology), and Writers on Writing Vol.4 (non-fiction).

Now that’s what I call holiday reading!

Just answer the question to enter (ends December 26th). And remember to share your special URL once entered. For every person who joins because they clicked on your link, you’ll get five more entries.

Here’s that link again.

Now go get your books!

  Crystal Lake Publishing   Dec 19, 2016   Blog   0 Comment Read More

Our Editing and Mentorship programs

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Attention authors.
 
Crystal Lake Publishing has open spots for authors looking for edits or mentorship.
 
Since I’m now publishing full time, I’ve decided to put some of that time into editing and mentoring along with the Crystal Lake team, specifically editors Monique-Cherie Snyman and Ben Eads.
 
These are highly beneficial programs, not just for your craft, but your career. These are not stuff taught in books, since they’re considered industry secrets. Why do we share them? You’ll find out why once you spend more time with us. 😉
 
  Crystal Lake Publishing   Dec 15, 2016   Blog   2 Comments Read More

Out today: WHERE THE DEAD GO TO DIE by Mark Allan Gunnells and Aaron Dries

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There are monsters in this world. And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible.

Euthanize to survive
where-the-dead-go-full-cover-small
Post-infection Chicago. Christmas.

Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred.

Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. 

This emotional, political novel comes from two of horror’s freshest voices, and puts a new spin on an eternal topic: the undead. In the spirit of George A Romero meets Jack Ketchum, Where the Dead Go to Die it is an unforgettable epilogue to the zombie genre, one that will leave you shaken and questioning right from wrong…even when it’s the only right left.

It won't be long before that snow-speckled ground will be salted by blood.

Amazon
Goodreads

  Crystal Lake Publishing   Dec 03, 2016   Blog   0 Comment Read More

New non-fiction release

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The WRITERS ON WRITING VOL.1 – 4 OMNIBUS is now available in paperback and eBook formats, plus there’s an exclusive WRITERS ON WRITING content page link early in the eBook, which includes:
-Links to videos
-Essays by authors
-Interviews with authors
-Free eBooks by some of the authors
-Some hilarious videos by WoW contributors

Writers on Writing paperback cover

Ready to unleash the author in you?

The Infrastructure of the Gods by Brian Hodge

The Writer’s Purgatory by Monique Snyman

Why Rejection is Still Important by Kevin Lucia

Real Writers Steal Time by Mercedes M. Yardley

What Right Do I Have to Write by Jasper Bark

Go Pace Yourself by Jack Ketchum

A Little Infusion of Magic by Dave-Brendon de Burgh

Confronting Your Fears in Fiction by Todd Keisling

Once More with Feeling by Tim Waggoner

Embracing Your Inner Shitness by James Everington

The Forgotten Art of Short Story by Mark Allan Gunnells

Adventures in Teaching Creative Writing by Lucy A. Snyder

Submit (to psychology) for Acceptance by Daniel I. Russell

Character Building by Theresa Derwin

Heroes and Villains by Paul Kane

Do Your Worst by Jonathan Winn

Creating Effective Characters by Hal Bodner

Fictional Emotions; Emotional Fictions by James Everington

Home Sweet Home by Ben Eads

You by Kealan Patrick Burke

The art of becoming a book reviewer by Nerine Dorman

Treating Fiction like a Relationship by Jonathan Janz

How to Write Killer Poetry by Stephanie M. Wytovich

Happy Little Trees by Michael Knost

In Lieu of Patience Bring Diversity by Kenneth W. Cain

Networking is Scary, but Essential by Doug Murano

Are You In The Mood? by Sheldon Higdon

What if Every Novel is a Horror Novel? by Steve Diamond

Description by Patrick Freivald

A First-Time Novelist’s Odyssey by William Gorman

I Am Setting by J.S. Breukelaar

Finding Your Voice by Lynda E. Rucker

Learn the craft of writing from those who know it best:
Amazon
Goodreads

 
Series: Writers on Writing
Writers on Writing: Volume 1
Writers on Writing Volume 1-4 Omnibus: An Author’s Guide
Writers on Writing: Volume 2
Writers on Writing: Volume 3

Writers on Writing: Volume 3

$2,99
Learn the craft of writing from those who know it best. More info →
Buy from Amazon Kindle
Writers on Writing: Vol. 4
  Crystal Lake Publishing   Dec 01, 2016   Blog   0 Comment Read More